An evening in Paris with Art

I can't express how much fun it was to ride up to Paris on the train with 19 new artworks in my suitcase to hang in my new exhibit at La Caféothèque. Even more fun than riding the train was BEING in Paris, meeting with my colleagues, and HANGING the long-awaited show. It was great! The whole process was captured on video, and innumerable photos were taken. I met with my friend and curator, Christina Chirouze Montenegro, and the artist Anne Buxerolle, with whom I was shared the exhibit space. 

Exhibition catalog, designed by Christine Chirouze Montenegro

The sunrise that morning was strikingly beautiful, welcoming me a new day and a new adventure. Once I arrived at Gare d'Austerlitz, I walked along the Seine River to La Caféothèque de Paris where the exhibit was scheduled and... celebrated my adventure with the best café latte In the heart of Paris. The exhibit will be on display through October 15th and the reception will be held October 1st in conjunction with the 15th anniversary party for La Caféothèque. I am extremely excited to be part of this memorable occasion honoring a business I so deeply respect.

Sunrise over La Creuse from the train, August 2020

First course of business when arriving in Paris, enjoying a coffee at La Caféothèque de Paris (in the time of coronavirus).

We mounted the exhibit after the café closed. Les temps de la forêt: entre la fleur & l'écorce (The times of the forest: between the flower and the bark) is beautifully displayed, with Anne's detailed wood drawings mainly in the first room, and my flower paintings on silk in the tropical room - which made perfect sense as my flowers are  all TROPICAL!

The tropical room at La Caféothèque

All the artwork is for sale. You can contact me to check on availability, but sales are handled by Christina. You can reach her directly at christina@lacafeotheque.com or through Instagram at @coffeexhibits . The prices range from 120€ - 435€ ($140 - $515) each, and they would love to share their living space with you.

Scenes from the exhibit

It's been fun to share these adventures with you! Here are a few more photos of Paris for you to enjoy. Have you ever been to Paris? if so, what was your favorite experience there? Leave a note in the comment box below - I’d love to hear from you!

Sunset over Paris, a perfect ending for a perfect day

Now On Exhibit:

August  28 - October 15, 2020
Reception: October 1st
Les temps de la forêt:
de l'écorce à la fleur
La Caféothèque de Paris
52, rue de l'Hotel de Ville
 Paris, 75004, France

and 

August  15 - September 27, 2020
SPACE: 2020 Juried exhibition
ATHICA: Athens Institute for Contemporary Arts
675 Pulaski St, Suite 1200
Athens, GA 30601, USA

What I Am Looking Forward to this Fall (Hint: one includes Paris)

The upcoming fall season brings much good news. Listed below are 3 items I am especially grateful for and excited to share with you:

I am honored and humbled that AIR Serenbe has chosen me for their artist residency for the month of November. What an honor! I will spend an entire month in the wooded community of Serenbe located southwest of Atlanta, Georgia, USA. I will be in my own cottage, with no assigned tasks except to explore, discover, experiment and create art!  This accomplishment would not be possible without your continued encouragement of my work and me. (Thank you!)

Nehi Cola. Front Ave and 10th St, Columbus, GA, by René Shoemaker

2) I'm also thrilled to report that the Paris exhibit is finally going to happen after many delays due to the pandemic. I will be hanging the tropical flowers themed exhibit at La Caféothèque de Paris next week. In the heart of Paris, La Caféothèque is situated in the 4th arrondissement, right on the Seine River with a view of Notre Dame Cathedral. The exhibit opens on Friday August 28th. The reception (vernissage) will be held in October and I will be sure to let you know the date so that you can plan ahead to attend (!). I am extremely excited to be part of this two-person exhibit, held in the heart of Paris, which includes the French artist Anne Buxerolle.

Begonia 'Raddi', 2020, by René Shoemaker, at La Caféothèque de Paris.

Lévitation 009, by Anne Buxerolle, at La Caféothèque de Paris..

3) Les toits d'Aubusson is included in an exhibit that opened this week at ATHICA, the Athens Institute for Contemporary Art. SPACE: 2020 Juried Exhibition "references SPACE which is found all around us . . . as a concept and a construct with many different connotations." I am proud to have been chosen in this competitive exhibition, which will be on view through September 27.

Les toits d'Aubusson, included in the SPACE exhibit, sold to a collector in Chicago this week

Finally, as you know, for a number of years I've been working hard to bring the best art possible into the world to share with you while seeking to reach a wider, global audience. In the service of this goal, I am raising my prices on original art effective October 1st. As my subscribers, collectors, and loyal supporters I wanted to offer you this window of time to buy original art at the original price. (Fine art prints will remain at their current price.)

In 2001 when I first exhibited at the Clayton Street Gallery in Athens, Georgia, a silk painting sold, unframed, for $100. Today, the cost of materials, upkeep for the studio and working every day to bring my best art into the world is not sustainable at my current prices. Adjusting the prices to more  accurately account for the value of time, labor, and skill I invest and the quality of the materials I use will insure that I can pay my monthly bills, allow my business to thrive, and enable me to continue to create art over the long term.

I appreciate your understanding, and as always, I am abundantly grateful for all the ways in which you continue to inspire and support me. 

Église de Notre-Dame de Montluçon, France

La Creuse, France

Upcoming:

August  28 - October 15, 2020
De l'écorce à la fleur:
Les temps de la forêt
La Caféothèque de Paris
52, rue de l'Hotel de Ville
 Paris, 75004, France

Now On Exhibit:
August  15 - September 27, 2020
SPACE: 2020 Juried exhibition
ATHICA: Athens Institute for Contemporary Arts
675 Pulaski St, Suite 1200
Athens, GA 30601, USA

Sharing the French Countryside

I'VE BEEN REMISS NOT TO SEND YOU PHOTOS OF FRANCE! This summer has been mild, and although we had a wet winter and spring, the summer has turned out to be dry. The farmers are once again visiting the local lakes and ponds daily to fill up their tractor-pulled water tanks to be able to provide enough water for their (beautiful) Limousin cattle. So, without further ado, I am going to share some photos of our life here, without talking too much!

We went to the seaside! I love standing on the edge of the Atlantic Ocean in France and imagining that if I would only look hard enough, I could see America on the other side.

Passing cornfields while biking in La Creuse.

We discovered this small church in Sainte-Marie-de-Ré on Ile de Ré; with a model boat hanging there, a gift from the families of men who were saved in a storm.

I hope that you and your family are doing well. I'll be returning to Georgia in October and wonder what we will find there. The cases of Covid-19 are very, very low here, and I feel a little uncertain about returning to a country where the cases are so high. But the strong urge to see my family (and friends, bien sûr!) again is overriding my hesitations. My silk-painting class scheduled for October has been cancelled due to uncertainty about gathering in groups; I apologize to those of you who have already enrolled or planned to take the class. I'll let you know as soon as a new class is scheduled. 

(Originally published August 11, 2020)

How Does Less Do More?

My friend Jon has a habit of asking me thought-provoking questions about my art and the art-making process. As I answer Jon's questions, I thought it would be interesting to share my thoughts with you. His first question, “Line or color?” I took to mean, “Which is more important in your artwork, is it line or color?”

First I thought back to my influential artists, although I have to admit I don’t see that much original art these days (isn’t everyone hung up on Instagram?) and it’s been especially hard to see real art since we’ve all had to stay home for so long now. There really is no comparison between a computer screen vs. real-life art.

With regard to my art, which I can only share with you now via a computer (or worse yet, a phone screen), I want to share some ideas I reflect on during the act of creation.

Every step is a decision-making opportunity (or struggle, depending on the decision at hand).

When I make these decisions, I am guided by this principle:

My goal as an artist has always been to get an idea down with the fewest lines and colors as humanly possible. 

Okay, not humanly possible, because if I got it down to THAT, it would be one line and one color. But I always ask myself, Would two lines and two colors suffice?

Two of the greats related to this, from my perspective, are Mark Rothko and Agnes Martin. Mark with color and Agnes with line. How I would love to sit down and have a conversation with these two!

Agnes Martin. Stone. 1964. MoMA http://www.moma.org

Mark Rothko. Untitled. 1954. artsy.net

I get very excited when I can synthesize things down to the fewest elements.

For example, the simplest silk “painting” I think I’ve ever created is “77 rue Alfred Assolant, Aubusson.” 

René Shoemaker. 77 rue Alfred Assolant, Aubusson. $495.

In 2018 I was very excited to be making a body of work about my community of Aubusson in central France. I was using joyful bold colors and refining my drawings down to basic elements. In fact, quite a few paintings from that show became my “favorites.” But back to the rue Assolant painting, I made the bold statement of drawing on the silk the lines of my original drawing and then leaving the silk a pure white.

Seems simple, eh? In reality, it took a lot of contemplation, a lot of nerve, a lot of chutzpah to leave that silk white and call this a “painting.” But I must admit that I was very happy with the result, I was happy to watch others' reactions to it and I was even happier that I listened to my heart. 

Next week I will share a few more paintings from that exhibit where I felt like I “got it.”

I look forward to sharing more examples of this process with you in the coming weeks. I also want to mention that over the next few months I will be working on a Horizon series, a distillation of painting on silk to one line and two colors. I’ve been wanting to work on this series for a number of years, but I wasn’t sure where it would go, creatively speaking, or where I could exhibit it. 

Although this concept previously seemed too “simple,” I believe I am ready for the challenge! Now that simplicity excites me as I envision the Horizon series paintings of all sizes hanging in one gallery, creating an environment that will encircle the viewer in color and tranquility. I currently have a commitment to exhibit this work in France at the beginning of 2021, although I am no longer sure that will happen because of the virus’ impact on small businesses worldwide.

Now that I’ve shared my thoughts, tell me:
 

    1.    How do you feel about painting as a medium that can be expressed in many variations, and what types of paintings are your favorites?


    2.    How do you feel about being exposed to new artistic ideas via the Internet?


    3.    How do you feel about simplicity?


    4.    What is your definition of art?


Let me know! Better yet, share this post with friends and ask for their thoughts on these topics, and share those reflections with me. I will include your responses in my next newsletter.

Upcoming Events:

September 2020
Floral Heritage of Central America
La Caféothèque de Paris
Paris, France

October 2020
Silk Painting Workshop with René Shoemaker
K.A. Artist Shop
Athens, GA