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Keep up with the latest art and adventures from Rene Shoemaker Art!

Revisiting Goals - Bird Cushions

Now is the time of the summer for me to get back to some of those longer-term goals I’ve been talking about here, like silk screening tea towels and other linens. I have been busy silk screening, and will share those results on the next post, but first I wanted to show what I did with the bird designs that I wrote about in my earlier post. I am pleased to announce that I just made my first Birds! cushion!

I ordered down & feather throw cushions online from Ballard Design. While the pillows were in transit, I hand-painted the Whip-poor-will design onto silk broadcloth. After much experimentation, the bird became a raspberry color with a tangerine background. In painting the back of the cover a matching tangerine, I loved the effect the dye created while not quite reaching the edges. - it was a mark that the cushion was hand-dyed rather than mass-produced. It also adds to the visual interest to the piece. I could imagine the new pillow owner fluffing up the pillow on the couch and tossing it with the back of the pillow facing forward. I hesitated to leave the dye looking ‘unfinished’, but I ultimately left the dye the way it spoke to me.

I am very pleased with the result, and after I make a few more prototypes, will be out marketing this product. Very exciting! 

                       

                                                    

Art Around Town

The mornings are cool, the light is wonderful, and the studio calls me. Although it is getting hot in the afternoons - it was 98 degrees here yesterday! - I am staying busy. My art can be seen in a few places around town right now. The Birds! collection went up in Jittery Joe’s this morning - they look great!

Two weeks ago, the Athens Clarke Heritage Foundation called to ask if I had any “Athens themed silk scarves” they could purchase as a gift for the outgoing president, Jennifer Martin Lewis. She did an extra-special job last year leading the ACHF and they wanted to give her a special present to show their appreciation.

We decided on the 224 E. Clayton Street (Jewelry Store) 2010 piece. It was extra large because it had been created for an exhibit at Ciné where the spaces are large, so I reformatted the silk for Jennifer, hemming the edges so that it could be worn as a scarf or dispalyed as a wall hanging: 

 

          

 

I learned the day after the presentation that not only had Jennifer been gifted with the large silk piece, but she had also been given a framed print version of my Greyhound Bus Station 2004 silk by the Athens Welcome Center at the same event - Jennifer is well appreciated! As you look at this image, can you hear the bus rumbling into the terminal in the early morning light? 

 

                                                                      

 

I wanted to let you know that the group exhibit at the Oconee County Library has been extended until July 17. From our Studios is a three-woman exhibit including Robin Fay, Sarah Hubbard, and myself. Here is a copy of the poster for that exhibit:                                                                                                        

I will continue to work on the Birds! collection I wrote about on the last posting. I love the way the designs are simple, yet strong, with bold color combinations. I am VERY happy with them and am curious to see where this new design idea takes me. I am considering more bird species, new color combinations, plump pillow covers, maybe some prints? 

Let me know of your ideas for where I should take these birds!

Happy Summer Solstice!


Discovering Birds

Last spring, I spent a few days with Linda in Highlands, NC, where it was fun to see how fascinated she and her husband were with the Dark-eyed Juncos that had built a nest on their back porch. I had never heard of that type of bird before and thought it was an intriguing name, and I also watched mama Dark-eyed Junco feed the baby Dark-eyed Juncos. The birds were not afraid of us while we sat on the porch, and they went about their business quite confidently.

When I returned home from that visit, I wanted to thank my friends for their hospitality in putting me up for the weekend. I had been especially busy that spring with 3 solo exhibitions, and being at their house was a well-needed retreat.

In between working on other projects, I began looking up photographs and descriptions of the Dark-eyed Juncos and found them to be just as cute in the photographs as they had been on the porch. In Linda’s kitchen, I had noticed a deep green ceramic rooster tile, and I used that as a jumping off point as a design inspiration for a gift for her. I started making 5”x5” birds and discovered that at that size, the bird needed to be an easy-to-read design. I knew that deep red was Linda’s favorite color, so after many tests of the color red, and trying different size birds within the 5”x5” parameters, and simplifying the drawing of the bird while trying to keep it recognizable as a Dark-eyed Junco, this is what I came up with and presented to Linda this spring:

 

As a result of this project, I began noticing more the birds around me - the ones that come to the bird feeder, the ones in the woods, and the ones in town. I started paying attention to their songs and their daily activities. About that time, I needed to borrow some of my architectural silk paintings from Krista G. for a new exhibit. While talking to her, Krista introduced me to some excellent bird web sites, including All About Birds and she told me how she had been recognized as ‘the person reporting sighting the most species of birds in Georgia’ this past year for a total of 322 bird species! I had a lot to learn from her -  see an article about her experiences in Georgia Magazine

I looked at the websites, took down the bird identification books from my bookshelves, and started experimenting and drawing other birds than Juncos - paying attention to the shapes, the feathers, the heads, and the different beaks that make each bird unique.

I found that this testing of a new idea, working on simplifying a design, and  choosing pleasing colors all brought much pleasure and fun to my studio work. I imagined the most brightly contasting color combinations, looked at opposites on the color wheel, and tried to think of colors that would create designs that would seem to pop off the silk and attract people’s attention to my artwork, and hopefully, make them happy, too. 

After all this background work and with all these bird inspirations, I got busy and painted 10 birds-on-silk. They will be hanging in Jittery Joe’s 5 Points coffeeshop and can be seen there. Here is a sample of what I came up with:



I also found it fascinating to learn about the nesting hawk outside the office of the President of New York University that is being watched on a webcam by people all over the world! The hawks hatched their baby birds on May 5, but you can still see some activity in the nest.

I feel so lucky that I can watch wildlife, including birds, so easily where I live. We have our own set of Phoebes that have been nesting every summer with us for 30 years. But really, for all of us, birds are so prevalent that all we need to do, wherever we are, is open up our eyes and ears and pay attention to them to take delight in what they offer us.

I can see these new painted silk birds sharing their lives in bedrooms, living rooms, on the walls, or displayed as pillows - what do you think? Do you have any ideas to share about the bird designs that I have not thought of?

Hope you enjoy watching your own birds this week!

Customer Profile - Nancy Aten, Landscapes Of Place, LLC

Today, I am honored to introduce Nancy Aten. She is a landscape architect, an artist, and an alumna of the College of Environment & Design at the University of Georgia. She was kind enough to share a little bit of information about herself, her lifestyle, and how she incorporates my artwork into her environment. 

I was impressed by Nancy the very first time I met her. She arrived early at the library where I worked at the College of Environment & Design, University of Georgia, asking to see the faculty publications file of articles and books by professors in our college. She was the first potential graduate student that I had seen - in 15 years! - to do research on the professors of our department before classes began. I knew right then that she was serious about her work and focused on her goals. 

Once classes began, Nancy continued to impress. She was a mover and a shaker! If something worked for her, she embraced it fully, and if it wasn’t - if she didn’t feel challenged enough - she would politely but effectively communicate with her fellow students, with the director, and with the Dean to see if any changes could be made. She clearly had results in mind - and she got them! Nancy now has her own business, Landscapes of Place, LLC, which focuses on landscape restoration planning and design. She is a printmaker, too - Check out her photography and prints and words on the Landscapes of Place Blog.

Nancy has been a Shoemaker collector from the very beginning! She was there for my first gallery solo exhibit, ethereal spaces. I have been greatly appreciative of her support throughout the years, and I loved having the opportunity to ask her a few questions about what aspects of my art attracted her attention, and what my works mean to her now. Enjoy!

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Nancy - tell us a little about you - what your background is, what you are passionate about, and what you are doing these days.

  • It’s hard for me to discuss broadly, so let me tell you what my life looks like right now. At the moment, I am sipping coffee from our local roasting company - it’s made with a bit of cocoa from Ghana.  Yesterday evening in the warm spring weather I spent a few hours in my wild garden, weeding a bit, transplanting a bit, photographing a bit.  During the afternoon I worked pro bono on a visual map for a small nonprofit that is trying to save a monarch migratory habitat here in town - it’s one of the last natural vistas. I know that I could help with visually communicating what’s needed, and was happy to get involved.  I sometimes find it hard to reconcile the current me with the Silicon Valley me of my twenties and thirties. It’s easier to relate to the ten-year-old me running around the wild yard where I grew up - climbing trees and hosting impromptu outdoor tea parties for my mother made from bark, pebbles, and leaves.

 Tell me about your lifestyle. Are you an indoor or outdoor person?

  • I love softly rainy gray days, when I love to sit on the stoop just under the roof and sip coffee or beer, depending on when.  So, that is both indoors and outdoors!  Others have said that the kind of outdoors you experienced as a child sticks with you… if you grew up in forested mountains, you still like that; if you grew up on open plains, you like that.  For me, it is the woods.  I had to work a bit to acquire a love for prairies!  I am always happiest and never grumpy in the field, and, these days, have come to love being in swamps and wetlands with hip waders on, working physically on habitat restoration.  I could also spend days on end inside musty library archives or in museums.  Or curled up reading.  When I was young, the library limited you to checking out ten books every two weeks (imagine that, too many people checking out books), and I used to get impatient once I’d finished my allotment.

 What is it that first attracted you to my artwork? 

  • That it is all about places, and love for places.  I could not stop wandering around your Ethereal Spaces, hung in a warmly textured and aged second floor gallery, to be this beautiful story you told about your home in the woods.  I didn’t want to leave.  I kept moving through it.  And now that memory is tightly intertwined with ones of you making lunch for me at that lovely table at your home, tempeh sandwiches and mocha, and conversations with your family.  

 What is it about each piece that you bought that spoke to you?

  • The color selection… I learned to honor and refine my love of gray from you, and this came hand-in-hand with understanding the beauty of pure clarity of color at the right moment.  The unexpected perspective of a place that reminds me to see complexity.  The pleasure of the graphic.  

What is your favorite use for my artwork? 

  • I like hanging the large pieces (in front of a window; from the ceiling cove against the limestone of the wall next to the fireplace).  I like seeing the two from Ethereal Spaces hanging together.  I love wearing your art, and do so frequently… over a suit jacket, on my shoulders, the smaller ones around my head.

 

What is your own personal art or craft? Tell us about that, and where your inspiration comes from?

  • Planting, thinking of patterns.  Watercolor sketches in the field (learned from Darrel Morrison and Sarah Pattison - both in Athens, Ga.).  Monotype printmaking, which is an infrequent opportunity due to needing to borrow a press… which makes it also feel like a rare gift.  I like watercolors because of the magic of colloidal suspension (as Sarah showed me), and I like monotypes because of the magic of lifting the print each time.  It is the physical processes of working in each of these that bring the pleasure.

Tell us about your hometown.

  • Milwaukee is at the intersection of the tension zone, the south and the north, the forests and the plains, the balance of rainfall and evapotranspiration, the subcontinental divide between the Mississippi and the Great Lakes, the middle of the old frontier.  A place whose memorable people include a founding scientist and botanist, a socialist mayor, a progressive historian, and whose human history is as complicated and unsatisfying as anywhere.  It is graduating young architects and urban planners, some of who said to me last week that they want to figure out how to protect the lovely quirks that we have in the city, and allow them to still happen, as they work.

Tell us about your blog - what inspired you to begin writing a blog?   

  • This is funny, because I just heard an interview on the radio at Fresh Air with author Gary Shteyngart, where he talked about living in a culture of self-expression… where nobody wants to read, but everybody wants to be a writer, whether it’s publishing, a blog, social media, whatever. (I missed part of of this, but at one point it seemed he was talking about a publisher who requires that anyone who submits a manuscript for review must also submit a receipt for a book that they purchased recently, to help prove they’ve actually read something - a great idea!). The blog is self-indulgent, and I don’t need anyone to read it, but it satisfies me to record thoughts I want to remember, to help keep making me into the person I want to be.  However, I love reading a few other people’s blogs… there are gifted storytellers who enrich my life that I wouldn’t otherwise have a chance to know.

What are your plans for the future?

  • Having friends over for an impromptu al fresco supper very soon… the ferns are unfurling.  Working where I’m wanted and can help.  Making unsolicited design proposals!

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Nancy M. Aten, ASLA

Landscapes of Place, LLC

Milwaukee, WI

nancyaten@landscapesofplace.com 

www.landscapesofplace.com